Slinging sword-and-sorcery about the interwebs

A couple recent posts up at two of my favorite hangouts:

Catching up with Tom Barber, Classic S&S Artist, at the blog of DMR Books.

Dungeons & Dragons: Friend or Foe of Sword-and-Sorcery? at the blog of Goodman Games/Tales from the Magician's Skull.

The first is the result of a couple emails exchanged with my friend Tom Barber, who is looking to sell some of his artwork. He's not doing commissioned pieces at the moment, but has some work that will likely be of interest to fans of spec-fic. I am planning to see Tom in the next couple months.

As for the latter piece, hey, we all enjoy a little shit-stirring every once in a while. I love RPGs and have been an on-again/off-again player for large portions of my life, but I don't think they are an unalloyed good for budding S&S writers. YMMV. It is weird that their meteoric rise tracks very closely with S&S's precipitous fall. It may be a coincidence, but perhaps not.

Fantasy without Tolkien? Yes that happened, and yes it matters.

My latest post is up on the blog of DMR Books: "Fantasy without Tolkien? Yes that happened, and yes it matters." Check it out here.

This one was prompted by a few lines I heard Corey Olsen, aka., The Tolkien Professor, state during one of his recent podcasts. It was rather a throwaway line but struck me as not fair to fantasists working before the world-altering impact of The Lord of the Rings, and so I felt compelled to respond.

If you read the post, you will see that A) I venerate Tolkien, and B) I enjoy Olsen's work. But, I also call them as I see them. And I think the fantasy genre would have materialized even without JRRT. It would have been far less rich, a paler version, and the genre might never have attained the commercial success it now enjoys. I can hardly bear to think of it... but, I think if you review the evidence of what was occurring in the 1950s and 60s, prior to the Ace Tolkien explosion of 1965, the arrival of the genre was inevitable.

We'll never know and this is of course all speculation, a game of alternative history. Tolkien's arrival ushered in a new brand of fantasy and changed the course of history, and fantasy fiction, forever. But, we should not forget that he himself was influenced by many fine writers of fantasy, the Burroughs boom was in full swing, and in all likelihood we would have had the Lancer Conan Saga. The likes of Burroughs and Leiber and Moorcock and Vance and Lovecraft were coalescing and emerging from the shadow of 1950s science-fiction. 

And, with all due respect to Olsen, their work absolutely mattered.

Joe Lansdale: The art of good writing

Joe Lansdale is one of my favorite authors. He consistently delivers good, tightly-plotted stories, populated with memorable characters, and moments of violence, sometimes shocking, but leavened with a great sense of humor throughout. He keeps you turning the pages, which in and of itself is an art form. He has a inimitable voice that comes through on every page.

Reading "Hyenas" from his collection Hap and Leonard (love those characters, who briefly enjoyed the limelight with a far too quick to be cancelled TV series ) reminded me of how good Lansdale can be. Look at what he does with this opening. You're effortlessly all in with a just a few paragraphs of description.

When I drove over to the nightclub, Leonard was sitting on the curb holding a bloody rag to his head. Two police cruisers were parked just down from where he sat. One of the cops, Jane Bowden, a stout woman with her blonde hair tied back, was standing by Leonard. I knew her a little. She was a friend of my girlfriend, Brett. There was a guy stretched out in the parking lot on his back.

I parked and walked over, glanced at the man on the ground.

He didn't look so good, like a poisoned insect on its way out. His eyes, which could be barely seen through the swelling, were roaming around in his head like maybe they were about to go down a drain. His mouth was bloody, but no bloodier than his nose and cheekbones. He was missing teeth. I knew that because quite a few of them were on his chest, like Chiclets he had spat out. I saw what looked like a chunk of his hair lying near by. The parking lot made the hunk of blond hair appear bronze. He was missing a shoe. I saw it just under one of the cop cars. It was still tied.

I went over and tried not to look too grim or too happy. Truth was I didn't know how to play it, because I didn't know the situation. I didn't know who had started what, and why.

It paints a scene that begs the story to be told. Kudos to Joe.

If you haven't read any of his stuff I recommend you start with his Hap and Leonard stories (Mucho Mojo is a particular favorite of mine) or perhaps his standalone novel The Bottoms. This stuff may not be sword-and-sorcery but it moves like the best of it.

In the house, with Rogues in the House

The latest episode of Rogues in the House is out, with me joining the crew for a panel session on the current state of sword-and-sorcery. Alongside stalwart S&S authors Howard Andrew Jones and Scott Oden, Matt and Deane and I discussed questions like:

• What is the current state of sword-and-sorcery? Where is it strong, where is it not?
• Sword-and-sorcery in gaming
• Is the subgenre involved in a renaissance, and do we want it to be or are we better off staying off the beaten path?
• What perception does the label have in publishing circles, and is it a help or hindrance to getting a work published?
• Does it need a rebrand/new name to escape its past?
• How does it differ from the more popular "grimdark" strain of hard-edged fantasy?
• What do we hope to see in the future, and what does it need to continue to grow?

I had a lot of fun with this one, as always. The best part for me might have been seeing one of the co-hosts' legit armory pre-show. We're talking swords of all stripes, including replicas from The Lord of the Rings and Conan the Barbarian (1982), working crossbows, halberds (bec-de-corbin!), handcrafted chain mail armor, WWII armament, on and on. As I mentioned to Deane, I know where I'm going if the zombie apocalypse breaks out, or if I start seeing parachutes coming down Red Dawn style. 

You can listen to the episode here.

A few notes I jotted down prior to the show... sword-and-sorcery today is a very small niche in an incredibly popular broader fantasy genre. Below are some of the interesting things going on it, but added up, it’s still quite small.

· A few good but niche publishers (DMR Books, Rogue Blades Entertainment, Pulp Hero Press, etc.).

· A good magazine (Tales from the Magician’s Skull).

· A swelling number of amateur publishing outlets (Whetstone, Flashing Swords, Heroic Fantasy Quarterly, etc.).

· Some watering holes (Whetstone Discord, a small Reddit group, various small groups on REH websites, Facebook, etc.).

· Some publicity on Black Gate, blogs like my own/Silver Key, DMR Books has a great blog, as is the blog of Tales from the Magician’s Skull.

· Some new anthologies. Swords and Sorceries (Parallel Universe Publications has 3 volumes), Savage Realms. Blood on the Blade (Flinch Books)

· It’s supported by one good podcast—Rogues in the House. Cromcast has at times supported S&S, occasional episodes from likes of Elder Sign. Oliver Brackenbury’s So I’m Writing a Novel explores S&S. Appendix N Book Club covers a fair bit of S&S.

· Some good authors—Scott Oden and Howard Andrew Jones, James Enge, Schuyler Hernstrom, Adrian Cole. Keith Taylor is still writing and Michael Moorcock is still with us, with an original Elric story due to publish next year and reportedly “definitive” Elric editions coming out.

· But, it’s still a widely misused and misunderstood term, which is what I tried to help repair with Flame and Crimson. Still used synonymously with “fantasy.”

· It’s not a genre that major publishers want to take a chance on, and therefore not commercially viable.

Robert E. Howard Foundation awards nominations announced

The Robert E. Howard Foundation recently published its list of nominees for the 2022 awards. I'm on there, twice, for the Hyrkanian--Outstanding Achievement, Essay, and for the Venarium--Emerging Scholar.

The Hyrkanian is for my essay "Myth Manifesting in the Present: Robert E. Howard's 'Marchers of Valhalla,'" which you can find over at the DMR Blog. I like that piece, as the subject matter pressed all my buttons (come on, Vikings and Howard, and myth intermingling with the present day?) I was gripped by a James Allison level of fevered possession while writing it. The Venarium is further specified for my work on various recent essays, as well as for writing Flame and Crimson. 

I have been at the writing/blogging game for some time, and will leave it to others for what qualifies as an emerging scholar. Flame and Crimson required of course an immense level of research. I don't know the other names on that list, save for the administrator of the fine The World of Robert E. Howard website. But it's really cool to see the breadth of scholarly work being done, both domestically and abroad.

There are many, many worthy entries on these lists. To be nominated is as always an incredible honor. Just as with the Atlantean for which I was nominated, and ultimately won last year, I don't know who nominated me for these categories, but ... thank you! I do hope to see Robert E. Howard Changed My Life win an award. I owe that fine book a review.

This announcement also serves as a reminder that I NEED to get to Robert E. Howard Days in Cross Plains and see the Howard homestead. Maybe this will be the year.

War of the Gods!

I hadn't read War of the Gods for the better part of 20 years, and a recent re-read confirmed it's a pretty darned good book. My somewhat spoiler-ific review is up on the blog of DMR Books, here.

If you want the TL;DR version of the linked article, Poul Anderson is a damned good writer who channeled the Northern Thing in a way very few authors can. 

Seventeen+year journey to a new career: Six takeaways

After spending the better part of 18 years with the same company, albeit one that has been purchased in that time, undergone many changes, and looks very little like the one I walked into on my first day back in June 2004, I recently made the momentous decision to change jobs. I landed at a new company, hired for a role that did not exist, which this company created exclusively for me, and they’re paying me well to do it.

 

It’s been a hell of a last few weeks, starting from accepting the offer on Thursday, Jan. 20, telling my boss and my colleagues on Friday Jan. 21st, then releasing the news to the broader healthcare community which I serve this past Thursday. Since then, messages of well-wishing and support (mixed with some of surprise and disbelief, and sadness), have been pouring in non-stop. It’s left me feeling exhausted, but also incredibly grateful, with a great sense of anticipation for this next chapter in my professional life. I’ll be working from home, permanently, as this new company—small and nimble—does not have a brick-and-mortar presence. I can’t wait.

What did I learn over the last 17 ½ years, and in particular this latest momentous turn in my career? What would I recommend to others looking to further their own career? Here’s my advice.

1. Get comfortable with discomfort. As someone who suffers from mild social anxiety, and has struggled with bouts of inferiority, imposter syndrome etc., giving opening conference addresses in front of crowds as large as 1,800 people, and leading teams through tough times, has not been easy, and resulted in considerable levels of personal discomfort. Playing football and lifting heavy weights has allowed me to work through pain, but never inured me to it. Discomfort never goes away. You have two choices when it confronts you—retreat, or press on. I choose the latter almost every time, and that has made a difference. Like tearing muscle fibers during a workout, and then allowing them to repair themselves and get stronger, you grow professionally in zones of discomfort. A hard lesson, but true.

2. Success mainly is a result of hard work. I don’t disregard luck, or privilege, but mainly, persistence and discipline make the difference, even more than talent. I have no special level of intelligence, or rare skill, but I do stick to things after others give up. I have a good attention span. I also communicate well. But most of all I’m a fairly disciplined individual. I like keeping busy and doing good work. I don’t kill myself with marathon days, and deeply value and make time for family life, but I don’t slack off. Stack several good days of work on top of each other, and you will have something good to show for it. Stack several good years together, and you’ve got a career and a resume that will make you stand out. There really aren’t shortcuts to this process.

3. Don’t blame others for your failures. One of the best books I’ve read in the last five years is ex-Navy Seal Jocko Willink’s Extreme Ownership. He describes a rule for self-conduct that is both incredibly simple, but very hard to rigorously follow—taking responsibility for everything in your life. Yeah, shit happens along the way, but we can choose how we react to it. We can choose to use failure as an opportunity to get better. If you experience failure, start not by looking for someone to blame, but asking yourself: What could I have done better? What will I do better next time? If you are a leader and someone on your team comes up short, instead of pointing the finger, recognize that it’s your responsibility to train that person better, and equip them with the tools they need to succeed. Victim mentality is a terrible mindset to adopt.

4. Kindness goes a long way. Treat people—especially your direct reports—as you would want to be treated. More than ever these days, there is no bossing people around (there never really was, unless we’re talking medieval lords/vassals relationship). In these days of labor shortages and “the great resignation,” employees more than ever hold the upper hand. Your colleagues will respond to being treated fairly, and with kindness, and will reciprocate with loyalty. You will find yourself surrounded by people willing to work hard and make you look better, because they care for you.

5. Networks are a thing, so cultivate them. Talk to people. Help them in their careers—invite them on a podcast if you have one, allow them to speak at your event, write articles about them, respond to their emails, link in on LinkedIn. Inevitably they will return the favor. This creates a network effect, where knowing a lot of people gives you acceptance, even authority, in your field. Congratulate others on their successes. Treat your competition as people, because that’s what they are, and all they are. Do this, and you will find doors open when you did not know they even existed.

6. Dip your toe in the water before taking the plunge. Putting in a few extra hours of work, after hours, is not easy, and will cut into your Netflix time, but it allows you to try the thing before you commit to it. In my case I started freelancing for this new company on my personal time, and they liked what I had to offer, which led to a conversation about coming on board full time. In short, see bullet point 2.