Showing posts with label Robert E. Howard. Show all posts
Showing posts with label Robert E. Howard. Show all posts

Wednesday, February 28, 2024

50 years of Savage Sword of Conan, and beyond

Ahh, no. 29, I love you. Love them all...
Savage Sword of Conan debuted August 1974. 

I was just one year old. Probably a little young to be reading this great old magazine. But looking back, I love the thought that when I was born, it existed. Imagine a not yet two-year -old me toddling over and placing a chubby hand on Conan nailed to the tree of death, a grinning skull leering in the distance. Boris Vallejo’s stunning artwork gracing the cover of issue #5, which I proudly own.

SSOC changed me. It was my gateway to Robert E. Howard, and to sword-and-sorcery. It introduced me to a darker, more brutal, savage, and sexy brand of fantasy than I was used to from the Chronicles of Prydain and The Hobbit, books I was first encountering around that same time. 

I might not be here blogging were it not for SSOC.

I’ve recounted this story a few times now. Here on the blog, in the foreword to Flame and Crimson, possibly on a podcast or two. But I still remember that initial shock upon finding a horde of back issues of the magazine circa 1984-85. Some of the fondest memories I have in my life are buying a couple at a time as I could afford them, bringing them home, leaning back in my second-hand split leather desk chair, putting my feet up on my desk. Sipping a cold Pepsi and eating a candy bar bought at a local drugstore. And getting utterly lost in the Hyborian Age. I was gripped in the potent spell of a necromancer.

As I write this essay an overflowing comic box sits to my left. The same ones I bought back in the mid-80s, with a couple issues added here and there over the years. One day I will probably finish my collection.

SSOC had it all. Great art of course, which goes without saying. Considerable diversity in its artists, but with some powerhouses to anchor the title, big names with which I’d become familiar—Adams, Vallejo, Norem, Buscema, Alcala, Chan. And others.

After the art, the terrific map of the Hyborian Age topped by an excerpt from the Nemedian Chronicles. Opening SSOC and seeing this splash page made it feel as though I was being guided into a lost world--perhaps due to the way it presented a lost text disclosing an even deeper layer of history (a layering technique J.R.R. Tolkien used in his works, to great effect). It felt real, lived in, once upon a time, impossibly dim and remote, but possibly our own, historical earth before the time when the oceans drank Atlantis.

Beyond that, SSOC featured stories about other Howardian characters, like Red Sonja or Solomon Kane (whom I did not know at all at the time). Beautiful art portfolios. Letters columns. Prose articles. I even loved the ads, pointing to treasures that I hoped I might one day acquire.

I just pulled out no. 29 at random (see above). And it’s just as awesome as I remember. 

Issue 29 TOC.

That map made me a child of sorcery...


Conan's Ladies... easy on the eye.


Holy balls that's some good artwork... Almuric at left (Tim Conrad)

I desperately wanted to participate.

Would they still honor these prices?

RIP John Verpoorten. I'd read every article, regardless of subject matter.

Swords and Scrolls... first letter by one Andrew J. Offutt. With praise for issue #24 and "Tower of the Elephant."

Listening to an interview with Jim Zub on The Rogues in the House podcast got me interested in subscribing to the new incarnation of the magazine, published by Titan. Which is a bit surprising, I suppose, as I’m no longer a comic book guy (or even an illustrated magazine guy). I’m not opposed to them by any means, but they’re just not in my wheelhouse anymore. 

But with the new SSOC the urge is deeper. It’s tapping into my nostalgia, sure, and that’s a potent vein. But it’s also akin to paying my respects. And seeing what new hands and minds might bring to this beloved old character.

OK, I did it. I ordered issue no. 1. It’s been so long since I bought a comic that I’ve never bought one online. I’m nearly certain the last SSOC I bought was issue 184 (April 1991), featuring “An All New Epic Adventure! Disciple!” I hadn’t yet graduated high school. There was no internet.

I thought I might be prompted to subscribe, but instead I purchased the issue as a standalone.

Here we go again.

Here’s to 50 years of this wonderful old magazine, and for what the future may yet bring.

Saturday, February 3, 2024

The Shadow of Vengeance by Scott Oden, a review

Some would say there is no good Conan pastiche*, that the only stories of the Cimmerian worth reading are the 21 originals by Robert E. Howard. If that’s you, I get it. 

Me? I have no problem with pastiche, because I can differentiate new takes on the character from canon. They are something apart. That’s why I am able to enjoy the 1982 film, and Savage Sword of Conan and Conan the Barbarian the comic, even (gasp) the Lancer paperbacks with the L. Sprague de Camp and Lin Carter additions.

If you’re in the latter camp it does beg the question: What makes good Conan pastiche? Is it getting the character right? The setting, a convincing Hyborian Age verisimilitude? Or is it the style in which the story is told? Should it/must it “feel” Howard-esque?

“The Shadow of Vengeance” by Scott Oden checks all these boxes, but above all else nails Howard’s style.

This is I believe the fifth prose release from Titan, which began with "Conan: Lord of the Mount" by Stephen Graham Jones and includes one Solomon Kane story and the rest Conan. It’s a novella, some 18K words, about 60 pages, and like the rest of the line it is available as an e-book only. 

I, being a transported relic from 1984, don’t possess an e-reader, but Scott was generous enough to send me a word doc.

It’s also apparently the second time the story has been published, the first in Savage Sword of Conan volume 2, in monthly installments across issues #1 – 12. But not having read the Dark Horse or Marvel Comics relaunch of SSOC it was a first read for me.

This is not the next great Conan story … but that’s an impossible standard. As Karl Edward Wagner said, there was only one Robert E. Howard, and we’ve had him. But, it’s terrific pastiche, and can stand alongside much of what Roy Thomas and others were doing during the classic run of Savage Sword I so loved, after Howard’s adapted originals were exhausted.

If it lacks the great pathos of “The Tower of the Elephant,” or the unsettling insights into barbarism vs. civilization like we see in “Beyond the Black River,” that’s OK. Howard’s Conan stories themselves did not all rise to that highest of his own high standards, but instead were what we have here: A very fine adventure story, soaked in blood and the weird.

“The Shadow of Vengeance” follows on the heels of the events of “The Devil in Iron,” which if not accorded one of Howard’s best is still a good, entertaining Conan story. It’s a tale of vengeance, with the vengeance directed at Conan himself by Ghaznavi, regent of Khawarizm.

Big mistake, Ghaznavi. 

Howard fans will recognize these names from “The Devil in Iron” and why the events of that tale would lead to Ghaznavi seeking vengeance for his dead lord, Jehungir Agha.

What makes this story different from the likes of Robert Jordan, John Maddox Roberts and Steve Perry (not the one that sang “Open Arms”) et. al is Oden’s mimicry of Howard’s prose—check that, his near mastery of Howard’s style.

I read Blood of the Serpent last year and while I liked it well enough, it was not Howard-esque, though it was recognizably Conan’s character. Oden’s style is ridiculously like Howard, ripped from the pages of Weird Tales in the mid-1930s. Its uncanny. 

Here are some Howard-esque passages I really enjoyed:
Karash Khan left but a single watcher to mind the Cimmerian.  This thankless task fell to the youngest of the nine Sicari, a quick-eyed Turanian not much older than twenty.  No one knew his given name, but his brothers called him Badish Khan.  Bred in the alleys of Sultanapur, when the Master found him he was already a hired knife at fourteen with more kills than throat-slitters thrice his age.  He was like an ingot of iron, crude and without form; while Karash Khan was the hammer, it was dark Erlik who provided the flame.
And this, too.
Even so, the Sicari could not withstand the Cimmerian’s berserk fury.  Death might have been their master, but neither god nor man could master this wolf of the North.  His god was Crom, grim and savage, who gave a man the power to strive and slay and little else.  And when he called upon Crom, it was not in prayer or benediction . . . it was so the dark lord of the mound might bear witness.
It all seemed like I was reading something Howard would have written in 1934. Awesome stuff… “dark lord of the mound” induces chills. 

Oden does insert the word “fey” at least twice in the novella, a very old Northern term which I don’t know if Howard ever used in a Conan story, though he may have in “The Grey God Passes” or elsewhere (“It was Dragutin, fey and terrible as he rose up from behind the wagon, who reminded them.  He jabbed an accusing finger at the Cimmerian and yelled: “Kill them!”). It doesn’t matter anyway; I love the term and it works, and is placed here deliberately by Oden, author of The Grimnir Saga, who like me is also possessed of “the Northern Thing.”

Oden also builds the gloomy Cimmerian culture with a few choice passages, as here:
Among southern nations, Conan had seen madness dismissed: a disease physicians sought to cure, a weakness learned philosophers debated in shaded courts.  Madmen were broken men, they said, who could hope for no better than a quick and quiet death.  Among the barbarians of the north, however, madness was something else – a thinning of the veil between worlds, a harbinger of doom, or the curse-gift of that fey and feral goddess, Morrigan.  The Cimmerians held madmen apart from others, their ramblings fraught with the truths of a perilous world.
That’s some fine Hyborian Age goodness there.

There is a great final fight, a terrific desperate melee, and a cool monster too. If that’s what you’re after, you get it here.

If I had any critique, the story perhaps takes a bit too long to get going, with a bit too much up front info. But once it properly starts it doesn’t let up until its savage ending.

If you can’t get enough Conan, start with Scott Oden and “The Shadow of Vengeance.”

*I am aware that pastiche has varied meanings; some say pastiche is a deliberate homage to an author’s style, not a new story of an existing character as I’m using it here. 

Saturday, December 23, 2023

The Silver Key: 2023 in review

It’s the tail end of 2023. Another trip round the sun, another year of blogging on The Silver Key.

Many things of import happened this year.

I turned 50, and went places. To Las Vegas and Chicago for business conferences. Cross Plains TX for Robert E. Howard Days, and back to TX (Dripping Springs) for a fun company retreat. And to the Outer Banks, North Carolina, for a multi-family vacation and heavy metal party.

I delivered a keynote speech in May at a conference of 1500+ attendees to honor a former coworker and friend who passed away in 2022 at the age of 48 from breast cancer. By far my most meaningful accomplishment in 2023.

I spent a lot more time with my old man.

My wife and I found ourselves empty nesters. I have two daughters and my youngest went off to college in the fall. My eldest started her senior year in college, leaving us without children at home for the first time since… early 2002. It got oddly quiet all of the sudden, and we adjusted.

Life is changing. But I keep plugging away here on the blog.

I was making good headway until June, when my posting took a sharp downturn. This was due to my non-fiction heavy metal memoir taking sharp inroads into my free writing time. I went from 101 posts in 2022 to just 64 this year.

I hope to have the new book completed in 2024. I haven’t thought about publishing options as I’m focusing all my energy on making it the best book it can be. The first draft is 80-90% done and then comes revisions. But I’m liking how it’s shaping up.

Despite my posting falling off in the latter half of the year I passed 1,000,000 views since the blog’s inception. And wrote a few posts that resonated. So without further ado:

Most popular posts of 2023

1. 1979 Ken Kelly heroic fantasy calendar, month-by-month (231 views). We lost Kelly in 2022, and I covered his passing last year. But in June I gained a terrific Kelly keepsake, a mint condition 1979 calendar purchased at Robert E. Howard Days. It’s now hanging on my wall. The artwork is stunning.

2. The Big Excalibur Post (267 views). I think this was my best essay of 2023, written for the blog of DMR Books. I love Excalibur, I think it is the second or third best fantasy film of all time after The Lord of the Rings and/or CtB 1982. It’s gorgeous, but also literary--every allusion to the Matter of Britain is encompassed in John Boorman’s sprawling technicolor vision. No other film since has covered the Arthur myth with such savage, passionate beauty and intensity.

3. RIP David Drake (280 views). With every year comes the tolling of the bell for more sword-and-sorcery legends. Last year we lost Kelly, this year David Drake, best known for his Hammers Slammers series and military SF but also an S&S author of note. His “The Barrow Troll” made my top 25 favorite S&S short stories of all time.

4. My Howard Days 2023 Haul (287 views). People like book porn, and this post on my Howard Days haul was Triple-X. Something snapped inside of me at Cross Plains and I started buying up books with the abandon of a crack addict, taking home a massive glut that threatened to burst the bonds of my suitcase.

5. Sometime Lofty Towers, David C. Smith (293 views). An unexpectedly excellent sword-and-sorcery novel from Smith. Not that I don’t like his prior work (Oron, Red Sonja, etc.) but Smith delivered here his best work IMO, covering some thoughtful thematic ground in a fast-paced, bloody S&S novel.

6. Neither Beg Nor Yield and Other S&S Developments (306 views).  One of a handful of S&S kickstarters I backed this year. This gave me the chance to link to a two-part Keith Taylor interview I did for DMR Books (Taylor will appear in Neither Beg Nor Yield). I’m expecting this book soon and look forward to reading it.

7. Remembering The Cimmerian (316 views).  This now defunct print publication edited by Leo Grin was my introduction to Howard scholarship, and as a journal it has yet to be surpassed. I had an essay published in it and wrote for its website until it shuttered its doors in June 2010, an experience that deepened my understanding of all things Howard and heroic fantasy. I looked back on that here.

8. There and Back Again from Massachusetts to Cross Plains: A recap of 2023 Robert E. Howard Days (448 views). The full monty recap of my trip to Howard Days. Unforgettable, I can’t recommend this enough to any Howard heads. If you have yet to make the trip to the mecca put it on your bucket list. Somehow I found myself speaking on a pair of panels and working up the courage to recite a poem on Howards front porch, in between drinking Shiner Bock.

9. Are We in a New Sword-and-Sorcery Renaissance? Not yet. At least not commercially (795 views). I’ve enjoyed watching the recent resurgence in interest in sword-and-sorcery fiction (and like to think I played a small part in that, with Flame and Crimson). But I would not call what we’re seeing a third renaissance. There might not ever be one given publishing realities. The days of paperbacks on wire spinners in every drugstore are long gone, our attention fragmented, reading is in decline, and subgenres ever more narrowly and inwardly focused. But that doesn’t mean we aren’t building toward … something. Howard Andrew Jones’ Lord of a Shattered Land—a series of episodic stories that can be read singly but build toward a larger narrative arc—is a promising new title that takes the venerable subgenre in new directions while still very recognizably S&S.

10. Assessing the sword-and-sorcery glut (836 views). A polarizing post and these always attract the eyeballs. I piggybacked off an observation from Jason Ray Carney that we’ve gone from an S&S desert to a (relative) glut of new titles, making it hard to keep up as a reader. This topic sparked broad conversation in the S&S community. Some were critical (there can never be enough S&S! non-issue!), but unfortunately the underlying issue remains: Not enough readers to make this a sustainable genre for working authors. See no. 9. Of course given a choice I’d much rather have a glut than no new fiction, and this post was never meant to discourage new authors, just to point out that it was once possible to buy and read every new S&S release, and it’s now a lot more difficult.

My reading

This year I’ve read 44 books. I’m currently in a re-read of Bernard Cornwell’s highly recommended Warlord Trilogy, finishing up book two (Enemy of God). My favorite reads included The Silence of the Lambs, The Goshawk, The Art of Memoir, Night Shift, and Watership Down.

A personal note

My life is better than ever, a development tied to a commitment to my mental and physical health. I firmly believe that the more self-responsibility you accept, and the less time you spend doom scrolling on social media, the better your life will be. Take the time to discover your values. Make room for exercise. Eat less calories. Practice mindfulness. 

Yeah, I’m not a fan of generative AI as it is applied to art. I’m concerned with political divisions here in the U.S., foreign wars abroad, climate change, the mental health of our youth, etc. These are real problems, possibly existential. But to dwell too long on issues you cannot personally change is not a good use of your time. Start with you, then slowly work outwards. Read more. Write, or create in the way that suits you. Lift more weights. Listen to more heavy metal, and Rush. Rinse and repeat. My advice to you, free of charge.

Merry Christmas all, and thanks for reading.

Wednesday, July 19, 2023

Part II of S&S interview video up on YouTube

Part II of a video interview I did with Jan, The Brilliance of S&S, is now up on YouTube. Check it out here.

Part I is available here

I enjoyed chatting with Jan and love what he did with the interview and accompanying visuals. Good stuff.

Saturday, July 8, 2023

1979 Ken Kelly heroic fantasy calendar, month-by-month

Let's look inside, shall we? And return to an age undreamed of ....1979.
Among my prized finds at 2023 Howard Days was this bad boy. A 1979 Ken Kelly Robert E. Howard Heroic Fantasy Calendar. 

Although it came sealed I’ve been dying to open it. But only very lightly sealed, as I recently discovered, and definitely a reseal job. Which made opening it easy. I used a fine knife and cracked through some weak adhesive, leaving the envelope undamaged.

And the glory was revealed. Check out the pics below.

I’m not a collector. I like owning cool shit to display and read, and put my hands on. Life is about enjoying things. We can’t take it with us. The work of the late Kelly (1946-2022) was not meant to be kept under wraps and passed along from investor to investor.

This calendar is in fantastic shape, unmarked and unused and crisp. I’ll keep it that way and handle with the utmost care, but have no desire to keep it hermetically sealed and resell at profit. It’s now going to be displayed on my wall, as it should be.

And its practical applications are not over. In addition to full-color images of Howardian heroes of heroic proportions and the glorious contrasts of light and dark that highlight the best of Kelly’s work, the website www.whencanireusethiscalendar.com tells me that this calendar will be accurate again in 2029, so there’s that, too. I’ll plan to leave it up for at least the next six years until I can use it to plan my summer vacations.















And of course, a centerfold. 



Wednesday, July 5, 2023

Talking sword-and-sorcery on YouTube and my current reading

Prior to my vacation to the Outer Banks I was invited to speak with Jan, a cool dude from the UK with a YouTube channel that covers pulp fiction and other related topics. We had a lengthy recorded session about sword-and-sorcery (of course!) on which he did a lot of cool post-editing, including adding tons of interesting visuals and cool transitions. It makes for nice viewing rather than staring at my unattractive face.

We cover what sword-and-sorcery is, its defining characteristics, the Lovecraft-Howard exchange of letters in A Means to Freedom, and the need for re-enchantment. Stuff you probably already know about if you’re a fan of S&S or have read Flame and Crimson, but otherwise might find interesting.

The final video is here. Enjoy!

***

Despite the above video I’m on an S&S break at the moment. I enjoy reading outside of the subgenre and needed a palate cleanser, so recently read The Silence of the Lambs (Thomas Harris, love the film but had never read the novel until now), Gov’t Cheese (non-fiction/memoir by Steven Pressfield, author of Gates of Fire and The War of Art) and am midway through a re-read of Watership Down. The first two were wonderful reads, and as for the third I’m reminded why it’s an acknowledged classic. It probably would fall in my top 10 books of all-time, should such a list exist.

Tuesday, May 16, 2023

Glen Lord Symposium panel video up on YouTube

As noted in my recent writeup of 2023 Robert E. Howard Days, I was asked to present a paper at the Glen Lord Symposium. This is an academic panel and regular part of the event programming led by Jason Ray Carney, editor of Whetstone and a senior lecturer at Christoper Newport University.

The panel is now available on YouTube. You can view it here

The title of my paper is “Far Countries of the Mind: The Frontier Fantasy of Robert E. Howard." I had fun writing it and reading it aloud, if a little intimidating. 

Love Jason's comment that I deserve an honorary PhD in sword-and-sorcery :). I'll take it.

Enjoy!

Thursday, May 4, 2023

Going Rogue(s) with another 2023 Howard Days recap

This week I was invited to join the wonderful sword-and-sorcery podcast Rogues in the House to continue the discussion about Robert E. Howard Days 2023. You can listen to the episode here.

Joining me were Jason Waltz (publisher, Rogue Blades Entertainment) and Jason Ray Carney (publisher, Whetstone) a pair of fellow attendees whom I met for the first time last week in Cross Plains.

The show as always was a blast. Give it a listen, if for no other reason than to hear host Matt John deliver "Cimmeria" in his dead-on Arnold imitation. This had me in stitches. Dude should take this act on the road.

In addition to Howard Days recaps we also talked about the ongoing sword-and-sorcery revival. Jason Waltz and I served on the S&S panel organized by Deuce Richardson at 2023 Howard Days, while Jason Ray Carney was one of our avid front-row listeners. We get into some of the same territory here on the podcast, covering recent S&S history as well as current venues, authors, and trends. Good stuff.

Tuesday, May 2, 2023

My Howard Days 2023 haul

Somewhere under here is a bar...

Many amusing escapades and scrapes unfolded during Howard Days 2023, not the least of which was my complete and utter lack of restraint around anything vaguely book shaped. I was like a Grateful Dead fan in a pot shop or a PETA member in a rescue shelter, unhinged and helpless, grasping and wanting everything at once.

Someone should have taken my wallet from me.

I came home with 20 “books.” In my defense 9 of these were free, 11 were purchases. But the count is actually higher.

Two of those “books” were bundles of Fantastic magazine won in the silent auction, basically the entire run of issues published in 1961 and 1962. So that is technically an additional 23 digest sized "books" (May 1963 is missing). I also purchased a calendar. So technically I came home with 41 separate items, loosely classified as books. 

And a Robert E. Howard Museum t-shirt. With Conan on it, of course. Not pictured.

I think I need help.

Worse, I packed lightly with just a carry-on suitcase and a separate carry-on leather bag. The latter is something resembling a leather briefcase, with some extra pouches on the side. I was warned to bring an oversized suitcase for the spoils and promptly ignored those warnings. 

Come Sunday I found myself in deep shit. After carefully packing up all my books first (of course! they're the most important items) I was nearly full and hadn’t touched my clothes yet. That left me shoving items for which no room remained into every conceivable pocket. I wound up stuffing dirty underwear into my computer bag to make room. 

Not proud of this, just stating the facts.

Anyway, somehow I made it home with a 60 pound carry on that was a beast to lug, even with wheels, and threatened to burst its zippers. I'm a pretty strong dude but I felt like Vasily Alexseyev on a max clean and jerk getting that thing into the overhead bin.

Following is a complete list of my gross take:

  • The Collected Poetry of Robert E. Howard, vol. 1
  • The Collected Letters of Robert E. Howard, vol. 3
  • Thick as Thieves, Ken Lizzi
  • Cross Plains Pilgrimage, Bobby Derie
  • The Robert E. Howard Trivia Book, Bobby Derie
  • Hither Came Conan, Jason Waltz (editor)
  • Scott Oden Presents The Lost Empire of Sol, Rogue Blades Foundation
  • Death Dealer 3, Tooth and Claw, James Silke
  • Chacal #2
  • The Dark Man Journal vol. 13.1
  • Stan Lee Presents Conan the Barbarian #1 (paperback collection of first 3 comics)
  • The Filming of Conan, Cinefantastique Special Double Issue
  • Skelos #4
  • REHUPA Oct. 2012 (no. 237)
  • From the Heart of Darkness, David Drake
  • 2018 Investigations of the Robert E. Howard House Cellar, Jeff Shanks et. al
  • Kagen the Damned, Jonathan Maberry
  • Ken Kelly’s Robert E. Howard Heroic Fantasy Calendar, 1979
  • Fantastic 1961 bundle
  • Fantastic 1962 bundle

Good thing my wife doesn’t read the blog.

Monday, May 1, 2023

There and back again from Massachusetts to Cross Plains: A recap of 2023 Robert E. Howard Days

Ken Lizzi, me, and Deuce, on sacred ground.
That Saturday morning long ago remains fresh in my mind. The day I stumbled across a hoard of Savage Sword of Conan magazines

The moment I became spellbound with the worlds of Robert E. Howard.

SSOC spoke to me on a level my then-favorite Avengers or Captain America could not. It was dangerous, barbaric, sexy, violent. Adult, with articles and photography to accompany the gorgeous black and white interior art, welcoming 10- or 11-year-old me to the savage Hyborian Age.

This wonderful, fortuitous find set me on a lifelong love of Howard and the subgenre of fantasy he founded, sword-and-sorcery. Little did I know that 40 years later it would also lead to an unforgettable trip to his hometown.

This past weekend I traveled to Cross Plains for 2023 Robert E. Howard Days. This was not a lightly-made decision. I live in Massachusetts, some 1600 miles from the small town in West Texas that Howard called home. With a wife and family, domestic obligations, and a busy professional career to manage, there is never a good time to do something like this, even though Howard Days had been on my bucket list for years.

Part of the whole wide world of Cross Plains.
But this year the stars and planets aligned. Two dudes whom I knew mainly from online interaction, Deuce Richardson and Ken Lizzi, had rented a house in neighboring Cisco, so I had company and a place to sleep. 

The time had finally come to head to the mecca of all things Howard and sword-and-sorcery.

Last Thursday I flew into Dallas Fort Worth and picked up a rental car. Shortly after 5 p.m. Ken, Deuce and I arrived in Cross Plains. The Howard House had closed for the day but two and a half days of non-stop celebrations were about to begin.

Thinking this could be a once in a lifetime trip, I wanted to see it all—the town, the house, the gravesite, the panel sessions. I also wanted to give myself adequate time to hang out and talk to the throng of Howard fans and Howard Days volunteers that make this event so special.

Deuce had wise words for navigating this dilemma: “Balance the living and the dead.”

So, I gave it my best go to honor the man and explore the town while also spending time with as many attendees as I could. I feel pretty good about the balance I struck.

With Jeff Shanks (left) and Mark Finn.
Meeting Rusty Burke, Fred Blosser, Patrice Louinet, Chris Gruber, Mark Finn, Jeff Shanks, John Bullard, Gary Romeo, Will Oliver, Dierk Gunther and others was incredible. I felt like I already knew many of them from YouTube videos, articles, and podcasts and the like, but talking and shaking hands with them all made it tangible. It was wonderful meeting fellow S&S aficionados Jason Waltz, Keith West, Jason Ray Carney, Aaron Cummins, Chuck E. Clark, and many, many others whose names I’ve unfortunately forgotten or failed to ask.

Far too few know the name Robert E. Howard and the opportunity to talk shop and swap REH nerdity comes very infrequently. At Howard Days its endless. “What’s your Howard origin story?” “What’s your favorite Conan tale?” “Have you read his westerns?” These spontaneous conversations happen in line to get your barbecue, perusing the tables at the silent auction, and especially in the evenings at the pavilion. It’s glorious.

The pavilion.
I thought for my first trip I’d simply soak it all in, but instead found myself serving on two speaker panels. On the first, the Glenn Lord Symposium I found myself sandwiched between two PhDs. But both proved incredibly gracious and down-to-earth. I enjoyed Dierk Gunther’s paper which attempted the formidable task of answering the charges of racism in “The Vale of Lost Women.” Will Oliver’s session was fascinating, offering up statistical evidence including recorded interviews with oil field workers to corroborate that Cross Plains was plagued by crime and violence during the oil bloom. This colored Howard’s worldview and creative output and helps to explain why he thought enemies might be lurking around the next corner.

I offered up “In a far country: The Frontier Fantasy of Robert E. Howard,” making the case for Howard as a writer experiencing the absence of a recently closed frontier, unlike his literary hero Jack London who experienced the gold rush of the Klondike first-hand. This absence caused Howard to turn to fantasy and frontiers within. I indulged the audience and myself with a few passages from Jack London and REH, which I greatly enjoyed reading aloud. It seemed well received and I expect it and the other panels to eventually appear on YouTube, courtesy of videographer Ben Friberg.

The atmosphere at the pavilion made it extra sword-and-sorcery
On Saturday I served on a second panel at the pavilion, “Sword-and-sorcery revival,” an informal, impromptu discussion of the recent upsurge in S&S publishing and authorship. I would describe the panel setting as a raucous tavern in the heart of the Maul. I’ve both run and attended many conferences, and at some point attendees hit panel fatigue and want to get down to the business of socializing. We hit the tipping point midway through and it was hard to control the volume in the pavilion; some 30 or so were quite interested in the panel but others were more interested in beer and conversation. I get it. We soldiered on and gave a pretty good rundown of current sword-and-sorcery publishers, authors, other outlets (podcasts, comics, etc.) and in general stoked enthusiasm for the revival of a genre Howard started back in 1929 with “The Shadow Kingdom.” John Bullard helped us greatly with the panel by making flyers and securing space. Thanks John!

Among the more unexpected experiences was feeling like a quasi-celebrity. I must have signed at least 20-25 copies of Flame and Crimson, Hither Came Conan, New Edge #0, and other odds and ends. Watching former Weird Tales editor John Bettancourt select Flame and Crimson as his raffle prize at the S&S panel and note that he had been looking forward to reading it was a strange, rewarding feeling. 

So, a lot of socializing and hanging out. But it’s also important to honor the dead.

Thank you Project Pride!
Nothing can quite prepare you for the first view of Robert E. Howard’s home and ultimately the humble bedroom where did the majority of his writing. Others have made the same observation many times, but its stunning that Howard was able to birth and deliver such vivid creations to the world from such small, prosaic quarters. It’s a testament to his unique genius. The volunteer docents who serve as tour guides, women from the Cross Plains community, were patient and wonderful. I learned that Howard’s father, Isaac, treated bloodied oil field workers right in the Howard home. One docent noted poetically that blood has seeped its way into the roots of the home.

We also folded in a visit to Brownwood to visit the family gravesite. We timed our trip just right, pulling into the sprawling cemetery in the golden sunlight of the late afternoon and paid our respects to Howard and his parents, laid side-by-side. Someone had left behind a book and figurine; I wish I had thought to do something similar.

I left with a more detailed depiction of Howard’s environs. All the tours including a bus tour of greater Cross Plains were absolutely worth doing. I found it to be a charming little community that feels a little like a relic of a lost age, with a few modern updates (a Dollar Store and the like).

Other highlights:

Witnessing the incredible dedication of the volunteers that makes Howard Days possible. The Cross Plains community rallies together to do wonderful things, and preserve Howard’s legacy is a year-round effort.

Buying enough books to break the back of a camel and strain the uttermost capacity of my suitcase. As I shoved volumes in every pocket and cavity I was advised my clothes were expendable. My haul included a pair of winning bids for two large stacks of Fantastic magazine (including the first appearance of Fritz Leiber’s “Bizaar of the Bizarre”) and a couple new hardcovers from the Foundation, the collected letters and poetry. Perhaps my favorite find was a 1979 calendar illustrated by the late great Ken Kelly. I'll share a pic of my hoard later.

Drinking beer at Red Gap Brewing on a gorgeous day while listening how Foundation board member John Bullard assembled the collected letters of REH for the second edition. Monster effort worthy of an award.

Attending the Robert E. Howard Foundation awards. Clapping for many deserving winners including John Bullard and Bill Cavalier, Willard Oliver, and Jason Ray Carney. I have not read Dennis McHaney’s Robert E. Howard in the Pulps (winner: The Atlantean), but was very impressed thumbing through Deuce’s copy. That definitely earned its award, too.

Listening to experts like Bobby Derie, Finn, Shanks, Louinet, guest of honor John Betancourt, and others at the panel sessions. The theme this year was “100 Years of Weird Tales” (founded 1923, still publishing) and the panelists were deeply informed experts and a pleasure to listen to. Derie in particular struck me as a walking encyclopedia of the Weird. 

Taking a break from Howard to visit Woody’s, a classic car and baseball memorabilia museum just across from the Howard house. This contained an immaculately maintained collection of stunning automobiles once owned by a wealthy private donor.

What's best in life? This.
Hearing “Cimmeria” recited aloud on the front porch of the Howard house in Italian, Spanish, Gaelic, and Latin. The first man up after “Cimmeria” recited “Solomon Kane’s Homecoming” FROM MEMORY, a tough act to follow. Best performance went to some dude from North Carolina who ROARED a poem Howard wrote about the joys of drinking and fighting, punctuated with accusations addressed to “You Sons of Adam!” He had us all laughing and cheering. Howard would have approved.

Working up the courage to read a poem myself, “The Rhyme of the Viking Path.” I gave the last few verses some appropriate barbaric emphasis and was pleased with the outcome and the crowd reaction. 

Talking heavy metal with a fellow fan as we waited for the poetry readings to commence (I need to check out Dimmu Borgir).

Walking across the same scenic iron bridge that Howard once traversed, which later inspired a scene from “The Whole Wide World.”

Chatting about Red Nails and Margaret Brundage with the great Fred Blosser—a dude I was reading FORTY YEARS ago in the pages of SSOC—in the Cross Plains public library as I scanned through REH manuscripts and a beautiful collection of Weird Tales magazines. Surreal.

Watching Master and Commander with Deuce and Ken while drinking Shiner Bock, a Texas classic.

Conversing with a great group about all things Howard and S&S during our final evening at the pavilion. I learned that Will Oliver is working on a Howard biography and is as passionate about the works of Karl Edward Wagner as I am. In short, finding my tribe.

So, there you have it. Robert E. Howard Days 2023 proved to be a quirky, fun, charming, welcoming, and utterly unique event that every Robert E. Howard fan ought to attend at least once in their lifetime.

I wish I could have done more, but 2 ½ days pass quickly. And I suppose that’s what return trips are for. Many prophesized that if I came once to Howard Days it would be forever in my blood, and I’d be back again. 

I suspect one day I will. 

Here's to Howard Days.


Tuesday, April 25, 2023

Howard Days are upon me

Two days from now I shall be standing upon the soil of Cross Plains attending my first Robert E. Howard Days.

This shit is real.

Some news since my prior updates…

The sword-and-sorcery panel of panels IS happening. I’ve got confirmation from moderator and organizer Deuce Richardson that “Sword-and-Sorcery Revival,” an epic, two-hour S&S-fest, will occur on Saturday, April 29 from 10 a.m.-noon. It's an unofficial panel—you won’t find it on the REH Days agenda. Which is very sword-and-sorcery come to think of it. 

Rounding out the panel are authors Ken Lizzi and Jason Waltz (the latter of Rogue Blades Foundation). Possibly a fifth dude. Expect wide-ranging discussion, from S&S’ beginnings in Weird Tales (this is the centennial of that legendary publication, after all) straight on through to the present day and the new flurry of activity we’re seeing. Throughout we’ll be raffling off some books to a few lucky attendees. A horned helmet may or may not be worn, a skull or two split.

Coupled with the paper I’m presenting at the Glenn Lord Symposium I’m going to be doing my share of gabbing. But mostly taking in a place in the dreaming west I’ve only ever dreamed of attending.

Deuce has also mentioned a brewpub in Cisco which has piqued my interest. I’m prone to quaff my share of ale.

In other news, Flame and Crimson publisher Pulp Hero Press has rebranded as Cimmerian Press. I am told they are finalizing a website that will launch as early as June. Cimmerian Press will focus on Robert E. Howard and other sword-and-sorcery non-fiction, and is seeking new authors to help build out its catalog. Let me know if you’re interested.

Expect a stream of pics and a post-action report here on the blog and elsewhere. 

Howard Days here I come.



Tuesday, April 18, 2023

Howard Days looming larger...

That red dot? I'll be there.
Just over one week until Robert E. Howard Days. Next Thursday, April 27 I’ll be flying out of Logan International and touching down in Dallas Fort Worth.

I can almost taste the Shiner Bock.

The CEO of my company lives in Austin and when I told him where I was headed he answered, “Cross Plains? Never heard of it.” 

He will after I come back. I'm sure I'll have some stories to tell.

At this point I’m buttoning up the final details.

I’ve gotta get some cash out of the bank and put together a list of the books I want to buy from the Robert E. Howard Foundation. I’ll be coming back 15-20 pounds heavier, from the books and the beer. 

I’m also putting together a list of books I plan to bring. These include a few author copies of Flame and Crimson and a couple contributor copies of Hither Came Conan, either as giveaways or to donate to the Silent Auction. Perhaps a few old S&S paperbacks of which I have duplicates. And any titles I want to get autographed from attending Howard-heads who have contributed to them--perhaps my copies of the Del Rey Conans and the like.

I suppose I oughtta pack some clothes as well.

Jason Waltz from Rogue Blades Foundation sent all of us contributors an electronic copy of Hither Came Conan. I plan to go through it over the next couple days to prime the pump and be prepared to talk about it in case I get any questions. I read the initial essays when they appeared on Black Gate a few years ago, but there is a lot more original material in the book.

I sent my paper for the Glenn Lord Symposium over to organizer Jason Ray Carney. This is a three-person session (we’ll each read a paper, one after the next) scheduled for Friday, April 28th, from 2:30 to 3:30 pm. The details:

Brian Murphy will present "Far Countries of the Mind: The Frontier Fantasy of Robert E. Howard.”

Will Oliver will present "Robert E. Howard and the Oil Boom Towns: Crime, Disorder, and Reality."

Dierk Guenther, topic TBD

Oliver (professor, Sam Houston State University) and Guenther (Tokushima University) are both academics and I am not, but hey, I have a blog and once attended college. I’m excited to do this, I hope what I prepared is worthy of the occasion.

I learned that Jeff Shanks, former co-contributor at The Cimmerian website and an essayist whose work I admire, will be at Howard Days. Awesome! I had hoped that Paul Sammon, author of The Conan Phenomenon and Future Noir: The Making of Blade Runner, might be attending as well, but it seems I missed him by a year. That’s a bummer, I’m a big fan of Paul’s work.

Deuce Richardson is planning an informal sword-and-sorcery panel of which I’m going to be a panelist, but no other details on that as of yet. More to come there.

Thursday, March 30, 2023

One month until Howard Days

This one escaped the pyre...
One month until Howard days…anticipation is building. A couple recent items of note as the clock counts down to April 27.

Longtime REH fan/observer/contributor Brian Leno generously sent me a free copy of The Cimmerian journal, vol. 4, no. 4 (August 2007), along with a pair of REH postcards from the foundation. I would be hard-pressed to even begin to provide the level of Cross Plains coverage here on the blog that Brian offered in this issue. Brian took a trip to Cross Plains in 1967 at age 11 with his parents and two brothers, and his TC article “Down the Rabbit Hole” details his second trip, 40 years later, this time to Robert E. Howard Days 2007.

This article has stoked a greater fire in me, if that’s possible. Brian writes eloquently of an evening trip to Howard’s gravesite in Brownwood, which he experienced in the moonlight. Of a wild evening in the company of whiskey-drinking Howard scholars. Of a long car ride to Fort McKavett, location of a famous REH photo; of a day trip to Enchanted Rock, near Fredericksburg, where Howard first envisioned Cimmeria. And a culminating tour of the Howard house with Don Herron as a tour guide. The same Don Herron who edited The Dark Barbarian and The Barbaric Triumph. Pretty amazing. And much more besides, including a bus tour of Cross Plains, a visit to the famous icehouse where REH once boxed, panel sessions in the Cross Plains library, and the Foundation Awards, of which he was a nominee for the Venarium (emerging scholar) that year. Plus some other interesting asides. This was a great primer for the trip.

Thank you Brian, for the generous gift!

I finished my paper for the Glenn Lord Symposium, tentatively titled “Far countries of the mind: The frontier fantasy of Robert E. Howard.” I hope it’s worthy of the occasion. A little longer than the 1500-1800 word cap Jason Ray Carney imposed, but not much. 

I’m planning to bring a few copies of Flame and Crimson and have heard from a couple folks who are attending with copies they want me to sign. I’ll gladly leave my mark. Maybe in blood.

A dream fulfilled... 40 years in the making.


Sunday, March 19, 2023

Cross Plains Chronicle: Less than six weeks to go

Hither Came Conan... and thither I go, to Cross Plains
The Cross Plains countdown continues … less than six weeks until events kick off at Robert E. Howard Days.

A couple new items of note:

I have been added as a speaker. I recently received an invitation from Jason Ray Carney to present a paper at The Glenn Lord Symposium, a panel session held the afternoon of Friday, April 28 at the Cross Plains Methodist Church. Jason is the moderator and Dierk Guenther is one other presenter, the third TBD. This is an academic session so I have to prepare and then read a paper of 1500-1800 words.

I just need to figure out the small matter of a topic. Feel free to fire any ideas my way.

Secondly, Rogue Blades Foundation managing editor Jason Waltz will be attending and debuting Hither Came Conan, a collection of essays about Howard’s most famous literary creation that seeks to settle the question, which Conan story is best in life? Including one from me, in which I stump for “Rogues in the House.”

For the record I don’t think RitH is the best Conan story, but Waltz had a hole he needed filling and I stepped up. I do the love the story however and upon re-read discovered an interesting subtext that became the focal point of my essay. So … is Rogues in the House the best? Read and decide…

That reminds me, I need to figure out how much cash to bring. There will be many opportunities to spend including a silent auction, books from the Robert E. Howard Foundation, plus the not so small matter of food and beer. I’m figuring a wad. And maybe an extra suitcase for my loot on the return trip.

All the non-fandom (friends, family, co-workers) I speak to about this trip are VERY intrigued, though their initial reaction is that I’m going to some cultural hot-spot like Austin or Houston or San Antonio, a bustling city with live music and art exhibits and high-end restaurants and breweries. 

Then I show them a map of Texas and point to Cross Plains.

“What’s that near?”

“Wait, Cross Plains has fewer people than my high school?”

“Have fun man! Send pictures.”

Friday, March 10, 2023

Cross Plains Chronicle: Letters of Robert E. Howard, vol. 2

The West is the best...

One of the ways I’ve been mentally gearing up for my trip to Cross Plains is by reading Robert E. Howard’s letters, including a recent purchase of the new vol. 2 from the Robert E. Howard Foundation. These cover the years 1930-32. I want to get into the dude’s mind before I make my way to his hometown.

I found these fun, interesting, inspiring, and revealing. If you want to learn who Howard was and how he thought, his letters are a must. A large portion of this collection are long missives to H.P. Lovecraft, with whom Howard began corresponding in 1930.

Howard’s collected letters are just that, all the letters that HE wrote. Absent are Lovecraft’s responses that we get in A Means to Freedom (Hippocampus Press), which still makes that two volume set a must. Mixed in among the letters to HPL are letters to Howard’s friends, publishers, fans, snatches of poetry and verse, etc., and so the collected letters are absolutely worth reading for any Howard fan.

Understatement: REH was an interesting dude, thoughtful, full of wild passions, heights of ecstasy and depths of despair. He held his own in a spar of ideas with Lovecraft, a first-rate intellect, and in so doing reveals a whole lot about himself. This is first-rate correspondence.

He was also, undoubtedly, going to write at length about the history of Texas, had he lived longer. Look at this passage for example, of the hard men and women who settled the frontier, and recently passed into history:

Well they have gone into the night, a vast and silent caravan, with their buckskins and their boots, their spurs and their long rifles, their wagons and their mustangs, their wars and their loves, their brutalities and their chivalries, they have gone to join their old rivals, the wolf, the panther and the Indian, and only a crumbling ‘dobe wall, a fading trail, the breath of an old song, remain to mark the roads they travelled. But sometimes when the night wind whispers forgotten tales through the mesquite and the chaparral, it is easy to imagine that once again the tall grass bends to the tread of a ghostly caravan, that the breeze bears the jingle of stirrup and bridle-chain, and that spectral camp-fires are winking far out on the plains.

We would have had some amazing western literature from Howard’s typewriter, blending poetic flourishes with a higher degree of realism than you find in his fantastic stories. Possibly tales about Billy the Kid or John Wesley Hardin, whose tales he regales Lovecraft at length. He spends more time writing about Texas history than any other subject in these letters.

Some believe that Howard fetishized barbarians; he did not. He (merely) believed barbarism was the inevitable state of mankind. That fact was not to be celebrated as it reveals something dark and imperfectible and eternal in human nature. It means that civilization will ultimately decay and collapse, but also inevitably rise again—Howard wrote that “civilization is a natural and inevitable consequence” of our development. As others have noted he had a cyclical view of history, a natural rise and fall. Howard also held the physical realm in equipoise with the mental; he loved football and boxing and stories of strength and endurance. We get lots of brutal descriptions of athletic competition in the letters.

All of this led him to an inevitable clash with Lovecraft. HPL had no use for the physical and no use for barbarians. His loyalties lay with Roman order, Howard’s with the oppressed native tribes, barbarians, and the outsider. “Sometimes I think Bran is merely the symbol of my own antagonism toward the empire, an antagonism not nearly so easy to understand as my favoritism for the Picts,” he wrote. 

Above all, Howard believed in freedom of the individual, and distrusted government in all its forms, as well as the overreach of big business, and the pressure to conform to societal expectations. “In the last analysis, I reckon, I have but a single conviction or ideal, or whateverthehell it might be called: individual liberty. It’s the only thing that matters a damn.”

I don’t like to set up an artificial "winner" of these debates but Howard proves to have a very balanced, reflective mind, open to change, and so fares well. Yes, he waxes romantic and poetic and extols the virtues of barbarians, and also broods darkly to the point of despair, all of which colors and distorted the reality that lay around him. But, he also displays a surprising level of introspection and nuance. For example, he counters Lovecraft quite effectively by arguing that the physical and the mental must work in harmony. Modern science confirms this (our brains are gray matter, and require adequate sleep, nutrition, and regular exercise to operate at a full capacity. HPL fell short in that regard, and likely did himself in by neglecting the physical—he had a notoriously bad diet). 

Lovecraft is consistently revealed as the more extreme of the two men, politically and socially, and Howard often the more prescient. But beneath their disagreements both had a genuine underlying respect for one another. Howard at times seems awed by the correspondence, and deferential to the elder Lovecraft. And he’s spot-on with this observation: “And indeed, many writers of the bizarre are showing your influence in their work, not only in Weird Tales but in other magazines as well; earlier evidences of an influence which will grow greater as time goes on, for it is inevitable that your work and art will influence the whole stream of American weird literature, and eventually the weird literature of the world.”

Howard was mostly of Irish ancestry and adored Celtic mythology, but he maintained a particular affinity for the Norse. His first foray into fiction was about a young Viking, he read and enjoyed the Sagas, and he wrote passages like the following:

All that is deep and gloomy and Norse in me rises in my blood. I would go east into the sunshine and the nodding palm trees, but I bide and the dream of the twilight of the gods is on me, and the dreams of cold and misty lands and the ancient pessimism of the Vikings. It seems to me, especially in the autumn, that that one vagrant Danish strain that is mine  predominates above all my Celtic blood.

Norse Saga and myth underpins and unites much of sword-and-sorcery, as I piece together in Flame and Crimson.

We get interesting insights into Weird Tales and editor Farnsworth Wright’s editorial decisions and publishing choices. Impressionable bits of Howard's youth that help explain why we see so many snakes in his stories (Howard nearly stepped on a rattler as a boy and declared he had a sixth sense for their presence, feeling a wave of a nausea when one was nearby). “I hate snakes, they are possessed of a cold, utterly merciless cynicism and sophistication, and a sense of super-ego that puts them outside the pale of warm-blooded creatures.” See "The God in the Bowl," Satha, etc. for how this played out in his fiction. He was constantly peppering his letters with poetry, either snatches of verse or full completed verse and meter, some of outstanding quality. We get his desire to have his poems published in a volume for which he had already chosen a title, Echoes from an Iron Harp. We see him writing about the rise of Conan into his mind, and the conception of the Hyborian Age. We see his Agnostic beliefs on display, blended with a half-belief in reincarnation and ancestral memory. His loyalty to blue-collar workers, on and on. Of course the letters put Howard’s racism on display so be prepared for that, too.

They are him, bold, full-blooded and four-color, on the page.

Sunday, March 5, 2023

Cross Plains Chronicle: Less than eight weeks to Howard Days

The Robert E. Howard Days website is counting down the days, as am I. Less than eight weeks until I make the trek to central Texas and the Howard homestead for Howard Days 2023! Anticipation is building.

REH is not exactly selling me on the trip though. From his Collected Letters vol. 2: “I live in a section of the country not particularly stimulating to the imagination, unless the inhabitants continual struggle against starvation can be said to be a stimulant.”

Anyway…

I picked a good year to attend. 100 Years of Weird Tales is a theme which packs plenty of appeal for me. As you’d expect the panel sessions focus on the magazine that published its last pulp issue in 1954 but never really died. It soldiered on in fits and starts as a paperback and a magazine, all the way up through the present. Weird Tales played a critical role in the creation of sword-and-sorcery due to its permissive editorial policy which allowed for genre mixing and experimentation. And, as some scholars have noted, through its role as a "discourse community," which included a supportive but sometimes acerbic letters column called The Eyrie. Think message board and listserve pre-internet, and you're on the right track.

Let’s take a dive into the programming.

I fly into DFW just after 12:30 p.m. CST on Thursday April 27. We’re planning on heading into Cross Plains that afternoon and there are a couple events on schedule. Not sure if we’ll be hitting these or not, or just hang out informally at the pavilion. 

From the events page:

  • 2-4 PM: The Robert E. Howard Museum is open to the public. There are no docents on duty. The Gift Shop is open and the grounds and Pavilion are available to all.
  • 5-7 pm: Fish (and Chicken!) Fry at the Cross Plains Senior Center. Pending.

Friday April 28 is a full day. I definitely want to hit the bus tour of Cross Plains and surrounding areas (9-10:45 a.m.) and see the Cross Plains public library.

The first panel, 100 Years of Weird Tales, runs from 11-noon. Guest of honor John Betancourt, publisher at Wildside Press, is one of the panelists, as is Bobby Derie, whose “Deep Cuts in a Lovecraftian Vein” email newsletter I’ve been subscribed to for some time. Looks promising.

Here’s the rest of the official programming on the 28th:. 

  • 1:30 - 2:30 pm: PANEL: The 3 Musketeers of Weird Tales: Panelists: Mark Finn, Bobby Derie, Jeff Shanks + others.
  • 2:30 - 3:30 pm PANEL: The Glenn Lord Symposium. Jason Ray Carney, Moderator. Presenters: Dierk Guenther + two others. At Cross Plains Methodist Church
  • 9 pm PANEL: Fists at the Ice House. Our perennial favorite presentation about Howard's most prolific writings, his boxing stories. Presented behind the Ice House on Main Street (next to Subway) on the concrete slab where Howard actually boxed! 

Beyond the content I’m looking forward to meeting the panelists. I’m a fan of Mark Finn’s biography of REH, Blood and Thunder, Jeff Shanks’ many essays, and Patrice Louinet’s work in the definitive Del Rey editions of Howard. I’ve corresponded with Jason Ray Carney and “met” him once via virtual seminar. Seeing and meeting all of these dudes in person will be something speical.

Saturday April 29th is also a full day:

  • 11 am - Noon: PANEL: REH and Weird Tales. Panelists: Patrice Louinet, John Betancourt, Bobby Derie, Dennis McHaney.
  • 1:30 - 2:30 pm: PANEL: The Art of Weird Tales. Panelists: Dennis McHaney, J. David Spurlock, Michael Tierney + others.
  • 2:30 - 3:30 pm: PANEL: What's Up with REH? This is our wrap-up panel, devoted to the latest news of Howard publishing, entertainment and how his influence continues. Panelists: Paul Herman, Heroic Signatures + others. 

Of course, the tour of the museum grounds by Rusty Burke (4 p.m.), BBQ, and porchlight poetry readings to wrap up the 29th are a must. 

That’s a full three days and then I head back to DFW early Sunday morning.