The Silver Key
"Wonder had gone away, and he had forgotten that all life is only a set of pictures in the brain, among which there is no difference betwixt those born of real things and those born of inward dreamings, and no cause to value the one above the other." --H.P. Lovecraft, The Silver Key
Friday, January 3, 2025
Evil never dies: Parts 3 and 4 of Blogging the Silmarillion updated
Sunday, December 29, 2024
The Silver Key: 2024 in review
Sunday, December 22, 2024
Contribute a page
I’m just a guy (a classic JAG) who loves art, and is reflective by nature. So, I contribute reflections on art, and its relationship to life.
I can’t not do this.
Life and art are intertwined. We need myths, and stories. They entertain, but also offer a model for how to live good lives (because goodness is real, not an abstract concept). Art is a mirror on reality, sometimes clear and sometimes carnival fantastic, that gives life shape and meaning.
So that’s what I’m doing here, and in my writings elsewhere.
Anyone who brings art into being or contributes reflections on art and life has done something of value. Whether or not you find commercial success, I salute you.
Keep creating. Contribute a page.
Apropos of this PSA here is part 2 of Blogging the Silmarillion.
Thursday, December 19, 2024
Silmarillion re-read, link to part 1 and letter to Milton Waldman
White ships from Valinor, Ted Nasmith. |
A few additional thoughts and comments on this most recent go-round.
I don’t know why I previously failed to mention Tolkien’s 1951 letter to Milton Waldman that leads off the volume. It’s like reading the cheat code for Tolkien’s greater legendarium. Interestingly this letter does not appear in the 1977 Houghton Mifflin first edition hardcover, but does appear in the gorgeous, Ted Nasmith illustrated 2004 second edition that I also own. Get this latter edition if you don’t already have it, there are nearly 50 illustrations and many appear in this volume for the first time.
Waldman was Tolkien’s friend and an editor at the publishing house of Collins, and the letter is more or less a lengthy summation of Tolkien’s argument that The Silmarillion and The Lord of the Rings should have been published together, or at least in conjunction, “as one long Saga of the jewels and the rings.” Of course that did not occur as The Silmarillion was published posthumously in 1977.
The letter contains a wonderful summation of what lies at the heart of the legendarium, “Fall, Mortality, and the Machine.” I am perhaps slightly more forgiving than others of Tolkien adaptations, even though I’d be content if we got no more, but I do believe that any faithful Tolkien adaptation must contain these elements. A Fall from God, the creator, Iluvatar; the problem of Mortality (and the problem of the pursuit of deathlessness); and the Machine, or the desire to dominate or coerce other wills and raze and bulldoze the natural world. Either implicit or explicit.
Monday, December 16, 2024
Re-reading The Silmarillion, and reviving my old Cimmerian posts
I'm enjoying it as much as I did upon my last re-read, which prompted me to revisit my old "Blogging the Silmarillion" series for the Cimmerian website.
Back when I was writing for The Cimmerian I used to run part of the post here and link to the rest. Unfortunately that has resulted in incomplete posts after that site was radically overhauled. Time to correct that by posting the full text here, which I fortunately retained.
Here's the series introduction, Cimmerian sighting: Blogging The Silmarillion.
I'll post the others as I work my way through the text, and possibly add a little additional commentary.
Sunday, December 15, 2024
Some interpretations of the ambiguous ending of The Green Knight (2021)
If you haven’t seen The Green Knight, and don’t wish to be spoiled, stop here before you enter the Green Chapel and its perils. Thou hast been warned.
The 2021 David Lowery written and directed film The Green Knight is an interesting, inventive take on the old poem “Sir Gawain and the Green Knight.”
It’s beautifully rendered. You can’t take your eyes off it. It also sticks with you, in part due to its ambiguous ending, which is very much open to interpretation.
Here’s a few thoughts I had from a recent re-watch. And yes, I seem gripped again by my annually recurring year-end fascination with King Arthur.
Needless to say spoilers coming.
***
Brief recap: The plot of The Green Knight (book and film) centers around the arrival of a massive, green-skinned and armored knight in King Arthur’s court on Christmas. He offers up a challenge: Any knight can strike him a blow with sword or axe from which he will not flinch, save that he will return the blow one year hence.
Arthur’s nephew Gawain, the youngest knight in the court, takes up the challenge and strikes a savage cut that sends his head tumbling to the floor. Then, to the horror of all in the hall, the mysterious figure picks up his severed head and turns to leave the stunned court, but not before reminding Gawain he must ride out to his chapel in a year to complete the challenge.
Gawain commits, and embarks on a series of adventures en route. In one of these he is given a green belt/sash that renders him invulnerable to any blow. An obvious, unforeseen advantage in a contest of his sort. But also, unfair and dishonorable.
In the poem, Gawain leaves on the sash, and receives a nick on the neck as a rebuke.
In the film, Gawain removes his sash after an agonized internal struggle, then turns to await the blow. One we’re not sure lands, because the film ends before we see it.
So, does Gawain get his head cut off?
I don’t believe that’s what actually matters. What does is his decision moments prior.
Earlier in the scene Gawain asks an existential question as he stares death in the face: “Is this really all there is?”
This is not (merely) a question concerning the end of his own life, but the possibility of a life without meaning, one ruled by the material laws of nature in which purpose and beauty and meaning are empty and meaningless, and death and decay our only masters. The type of world described by the dragon in John Gardner’s Grendel: “It’s all the same in the end, matter and motion, simple or complex. No difference, finally. Death, transfiguration. Ashes to ashes and slime to slime, amen.”
If he leaves on the sash, he will be invulnerable, but also will have fatally compromised the only virtue that matters in such a world: His integrity.
Gawain has a flash of what would happen should he leave on the sash: he becomes a king of a fallen kingdom, a dishonorable ruler, haunted by his choice over the long years until the kingdom falls, corrupted.
Ultimately he chooses honor. Does that cost him his life?
The film offers some clues. “Well done my brave knight,” the green knight says, after Gawain removes the sash. And then, the final cryptic line of the film: “Now, Off With Your Head,” which obviously implies he’s a goner.
After all, a blow is due in return per the sacred rules of the game. Honor demands it.
However, the Green Knight delivers the final line with a good natured, light-hearted spirit, indicating that any blow will be only lightly given, which would make it true to the poem.
As important as this (obviously) is for Gawain and his future, I’m not sure it matters either way.
Even if Gawain loses his head, the message of the film can be interpreted as profoundly hopeful.
Let’s start with the idea that the Green Knight represents nature. If so, his acknowledgement of Gawain’s selfless act implies there is honor embedded in nature. It is not an abstract, empty term rendered meaningless by postmodernism, it is as real as the grass under our feet, the rotation of the earth and its seasons. We just have to make the choice.
Though there is a far bleaker interpretation. There may be honor but it ultimately doesn’t matter, nature is going to kill you in the end anyway. It’s all a cosmic joke.
But maybe we should still act honorably anyway, because doing so is its own reward.
Regardless, I believe Gawain's transformation from shiftless coward to noble knight suggests that facing death with dignity is essential to living a meaningful life.
What do you think?
I welcome any thoughts on this.
Friday, December 13, 2024
Where Eagles Dare, Iron Maiden (for Nicko)
Job well done. |
When Nicko joined Iron Maiden in 1982 there were skeptics. He was replacing Clive Burr, a terrific player who had been there since Maiden’s debut album, and joining a well-established band that had just put out the wildly popular Number of the Beast.
Nicko had to make an impression. And he did, on the very first song of his first studio album with the band, “Where Eagles Dare.” An awesome, driving tune kicking off side A of Piece of Mind (1983).
It’s telling that the first sounds you hear on this classic album are Nicko’s thunderous drums. He brought a new level of heaviness and intensity to the band, and remained Maiden’s drummer for 42 years, until age and the residual effects of a 2023 stroke forced him to hang up the drumsticks.
At 72 Nicko has more than earned his retirement.
I’m glad I got to see Maiden and Nicko one last time earlier this year. Our metal heroes are aging, no guarantees of tomorrow.