Thursday, June 24, 2021

Racism, Robert E. Howard, and historical context

I don't particularly enjoy discussions about racism and so tend to steer clear of them. As a white dude, I feel like I can shed very little light on the topic, and am at far greater risk of saying something incorrect, out of touch, and/or offensive, than add meaningfully to the conversation. Race and racism also gets more than enough play in mainstream news, social media, etc., and I'd rather focus on other things here on the blog.

But, I've decided to risk a post on it, mainly because I believe it might shed some new light on the subject as concerns pulp fiction and sword-and-sorcery.

So I'm currently reading H.P. Lovecraft: Letters to C.L. Moore and Others (Hippocampus Press, 2017) and my eyes widened when I read this bit:

What you say of English as the dominant tongue is interesting, and full of speculative possibilities. How would the language be affected, I wonder, if the Russians for instance, or the Orientals, overthrew our civilization and we lost our proud supremacy as a free and conquering people. I was wondering the other day, too, whether if the Negroes should take their place in the sun as a conquering race, they would continue to sing their plaintive ballads of oppression. Rulers singing the songs of slaves. Probably not, though since I understand their songs are very largely composed on the spot, begin highly topical. My father tells of experiences in bossing gangs of n*****s loading river boats in his youth, and the way they would make chants as they worked about the most trivial incidents. And then it's highly unlikely that the Negro race will dominate from some time to come. Though interesting to observe the effect of two or three generations of highly intensified culture imposed upon the raw savage out of African jungles. Who knows to what further heights they may rise in a few more generations?

These are not the words of the incorrigible racist Lovecraft, but are from the pen of C.L. Moore herself (I have redacted use of the n-word).

I offer this here not to engage in "whataboutism," or to excuse anything Howard wrote, or prop him up by knocking other authors down. Howard wrote some ugly stuff that can and should be critiqued.

But, what this quote does demonstrate is that racism was incredibly pervasive in the 1930s. Moore was a college-educated, 22-year-old banking secretary from nowhere Indianapolis when she wrote the above passage. It's further evidence that while Howard was a racist by our own, enlightened, 21st century standards, it seems increasingly clear he was probably not any more racist than your run-of-the-mill citizen of his era. 

Racism was an unfortunate reality of the 1930s. You can clearly see that Moore inherited her beliefs from her father. And so it goes.

I didn't broach the subject of race and racism in Flame and Crimson, save superficially, because I believe that to do so thoughtfully, in the manner in which it should be treated, would require a book-length work of its own. If you want to call that a cop-out, or a dodge, that's fine. I happen to think it's an incredibly important, interesting topic, and I welcome the discussion. But it's one that needs to be handled with care, and precision, and thoughtfulness, and research, which many people unfortunately can't be bothered to take the time to perform. It's far easier to engage in drive-by attacks on the likes of Facebook and Twitter than to stop and think about the cultural and socio-political landscape of the 1920s and 30s, and approach the subject of Howard's racism with what it absolutely demands: Historical context. It's just not productive or remotely interesting to call Howard a racist. By our standards today, of course he was. Shouting "Howard was a racist!" is no more enlightening than saying "Howard lived in Cross Plains Texas!"

The real question is: Was he any more racist than your run-of-the-mill citizen of 1930s America? The more I learn and read, the more I don't believe he was. What he was, was an eloquent, passionate writer who committed his thoughts and emotions and convictions to paper. Thus the record of his racism remains on the page for subsequent generations to see, when it was also in the hearts and minds of many, many others of his generation.

3 comments:

Matthew said...

When people complain about Howard's (or anyone from the past) racism, I tend to think "what are you perfect?" It was wrong of Howard to be a racist, but no one's perfect. Every age has its moral blind spots including our own. Those who are quick to denounce some one else's sins are often, if not usually, blind to their own.

Brian Murphy said...

Needless to say I agree, Matthew. Nothing wrong with calling out the ugliness when it rears its head, it's the purity tests I can't stand.

Matthew said...

What gets me is the self-righteousness of it. The only reason these people are against racism is that they were raised in an era that it is(rightfully) looked down upon. Odds are, if these people were raised back down they would be just as racists as anyone. Hell, most of them seemed as obsessed with skin color as any white nationalist idiot.

It's also worth noting that there were pulp writers who weren't racist. Leigh Brackett and Manly Wade Wellman were pretty modern in there outlooks to my knowledge.