Saturday, February 7, 2026

On seeing bands, of which you have no familiarity, live: A night with Opeth and Katatonia

Somewhere around 1998 I stopped keeping up with new heavy metal. I could not tell you precisely why, only that I gave up the ghost somewhere between Megadeth’s Cryptic Writings (June 1997) and Bruce Dickinson’s The Chemical Wedding (September 1998). It had nothing to do with those fine albums, just where I was with my widening life and shifting interests. And possibly, the rise of nü-metal (God I hate even typing those words, and the ridiculous umlaut, which those bands don't deserve).

No need for mourning, I had a good run. I fell in love with metal around 1987 and for a decade devoured everything I could: classic NWOBHM, thrash, progressive metal, power metal. Even though I very much preferred Maiden, Priest and Metallica I was a sponge, promiscuously consuming the new bands my friends recommended, or whatever caught my ear on Headbanger’s Ball or 107.3 WAAF.

Until suddenly, I stopped. 

What does that mean? I have huge gaps that will likely never be filled. An undeveloped metal palette, unable to appreciate the full breadth and complexity of the genre (which to the uninitiated has massive variety, from top 40 bubblegum hair metal bands to incomprehensible wall of angry sound death metal).

Yeah, I’ve got holes. One of which is shaped like an “O.”

Anyone here an Opeth fan?

Queuing up for the unknown...

I saw these guys last night at the Orpheum in Boston and started filling in some gaps. 

Now I’m not a total Opeth rube; I’ve heard snippets of them here and there. I certainly knew of them. I can’t say the same for opening act Katatonia, the first bars of which I heard in my friend Dana’s car on the drive in.

In case you’re wondering both are Swedish metal acts that have been around since the early 1990s. But looking back it all makes sense; Opeth’s debut album Orchid was not released in the United States until June 1997, somewhere around the start of my new and (nü) metal absence.

Love that stylized "O"

Did I enjoy the show? Yes. Interestingly both bands have death metal roots, a subgenre I don’t enjoy, but Opeth is now properly classified as progressive. They can get quite heavy and lead singer Mikael Åkerfeldt busted out the cookie monster growl on many songs. But the majority of their stuff was chill-ish, heavy and with a great groove but overlaid with clean, mellow, even soft-spoken vocals.

I’d classify Opeth as atmospheric and moody prog metal, creating a vibe akin to entering the vast pagan forests of pre-Christian Europe. I dug Katatonia too, which had a similar feel, and a damned cool backdrop of a deer with sentient eyes wreathed in ghostly flame.

I can’t give a proper review of course because I knew no songs and still don’t. Instead I chose to focus on the sound and the experience. It was nice seeing more (and more attractive) chicks than a typical metal show.

Am I going to become a raging Opeth fan? Will I track down their back catalog, binge Opeth YouTube videos, join an Opeth Reddit page? 

No.

But maybe I’ll check out Ghost Reveries (2005), which Dana recommended after I inquired about his favorite album.

We’ll see. I do know it made for a fun and different and interesting night.

Dig around in your past, see the band of which you're unfamiliar, if the opportunity presents itself.


Dana (at right) and I.


1 comment:

Ian said...

I never expected you to attend an Opeth concert! I don't care much for death metal either, but it's not for the vocals, which I don't mind. I just don't find the emphasis on brutality all that interesting.