The Day of Might hath come!

 

Today has been decreed The Day of Might by the Skull, and the fine folks over at Tales from the Magician's Skull. It's a day to celebrate our most favorite of all fantasy subgenres, sword-and-sorcery. Learn more here.

I wish I could do more; alas fate has conspired against me as I'm on the road, working a conference far from home in Dallas, TX. Nevertheless, I'm glad to see this happening and hope this generates more interest in S&S. 

Grab your favorite title, hoist a tankard of ale, and Hail to the Skull!

Heart of a Lion, Judas Priest

For this Metal Friday, an obscure song by Judas Priest that nevertheless kicks some serious ass.

"Heart of a Lion" was supposed to appear on Turbo, but did not fit the album and so Rob Halford offered the song to the band Racer X, who parlayed it into a minor hit. Racer X admittedly do a nice version, but it doesn't compare to peak Halford wailing the chorus.

On Fridays at least I have the Heart of a Lion.

Listen and enjoy. And have a very metal weekend.

S&S updates: Glass Hammer, Schuyler Hernstrom, and more

In full disclosure I'm not a big prog fan, unless you count the likes of RUSH, and perhaps a bit of Yes' back catalogue. I'm metal all the way. But I've had the pleasure of discovering the band Glass Hammer recently after hearing from one of the band members, bassist/lyricist/co-founder Steve Babb, who is a reader of this blog.

Glass Hammer was founded in 1992 and possess a deep catalog of material based on the likes of The Lord of the Rings, C.S. Lewis' Space Trilogy, and sword-and-sorcery. In 2020 they released Dreaming City, an album inspired by Michael Moorcock's Elric of Melnibone stories. Glass Hammer is now about to release  “Skallagrim – Into The Breach,” the second album of a proposed trilogy, on October 15th. As Babb explains:

“The project began as a nostalgic homage to the Sword & Sorcery genre, and to a lesser extent, the stories of H. P. Lovecraft and Clark Ashton Smith. It’s turned into much more, however, and my story of the Skallagrim, the thief with the screaming sword, has evolved into my first full-length fantasy novel which I plan to release next year.”

“Skallagrim is a thief who lost his memory and the girl he loves,” he goes on to say. “He’s up against dark magic and terrifying monsters to reclaim both, but finds an ally in a sentient, eldritch sword. Now his fate is bound to the sword as much as to the quest to find his love.”

Sounds pretty cool, I'll be digging into the album in the coming days. Check out the official video of "Anthem to Andorath" here on Youtube. After an atmospheric intro this one rips. And sounds great.

In some other news, my review of Schuyler Hernstrom's The Eye of Sounnu is up on the blog of DMR Books. Check it out here. I'm a fan of older sword-and-sorcery material and have not kept up as I should with newer authors and releases, and am slowly trying to rectify that. Hernstrom is a first-rate talent who gives me hope for the future of the subgenre and I can't recommend this book highly enough.

In more downbeat news, we recently lost author Robert Low (1949-21) back in June of this year. You can find a Facebook tribute here and a recent piece recalling his life and works over on Black Gate. I've heard many good things about his works over the years, in particular the Oathsworn series. Another author I have to seek out. 

I hope Low's spirit is sailing on a whale road of a different sort, and I thank him for his contributions to heroic fantasy and historical fiction.

Ten Sword-and-Sorcery Tales For the Haunting Season

My latest post is up on the blog of Tales from the Magician's Skull: Ten Sword-and-Sorcery Tales for the Haunting Season.

I'm feeling the Halloween season. Over the last three nights, while doing some late evening bookkeeping, I've had in the background Poltergeist, The Witch (2016), and Scream. I do love horror movies... but I also love sword-and-sorcery, and as my post shows one needn't necessarily choose one over the other.

What are your favorite horror-infused S&S tales?

Moorcock's Missed Elric Opportunity

My latest entry for DMR is up. Check out Moorcock's Missed Elric Opportunity here.

This one seems to be gaining a lot of traction on Facebook and elsewhere. Combine a classic fantasy property with an interested director in 1970s Hollywood, and season with reminiscence by the author himself culled from a recent podcast--wham.

For the record, I don't need to see my favorite books adapted into film--I'm perfectly happy if they remain on the printed page. But I can't help but wonder what a Ralph Bakshi adaptation might have looked like. A mess quite likely, but perhaps something glorious, or at least messily memorable. The point is, we'll never know. 

Maybe one day Elric will be adapted to the screen, but Moorcock had the opportunity 43-odd years ago, and there's been nothing of substance since. Just speculation and development hell.

Sifting Through a Sword-and-Sorcery Definition

Latest mini-essay is now up on Goodman Games/blog of Tales from the Magician's Skull.

The metaphor of sword-and-sorcery as a sifter came to me while cutting the grass. I wish I could say it was a more profound process but that's it. The drone of the John Deere is apparently my muse.

It's frankly not possible to create a definitive, unassailable list of sword-and-sorcery authors or stories. Nor is it advisable. Trying to do so is not only a fruitless endeavor, but ultimately unhealthy for the process of art. I love the rush of enthusiasm when someone sends me a link to a new comic book or animated film and writes, "dude, check this out, it's SO sword-and-sorcery!" Most who are familiar with the subgenre will know what this sentiment means; whether it ultimately qualifies is always going to be subjective, and in the eye of the beholder. As I argue in the linked essay, it all depends on how fine your definition of S&S is, and what you will allow to pass through your personal sifter, or be caught and held.

I've already seen a comment on Facebook in my response to my essay that "all labels are stupid," which is rather ill thought-out. I wonder what this same person would say if I slapped a mustard label on his ketchup and he proceeded to pour it over his hot dog (who adds ketchup to a hot dog?). Labels have a purpose; broadly they get us where we need to be, and ultimately we decide if we want Heinz or Hunt's or French's or whatever. Your mileage may vary, of course.

Darkest Hour, Iron Maiden

I'm still in the discovery/absorption phase of Senjutsu, Iron Maiden's new album. This has been my pattern with all of Maiden's releases of the last two decades. Starting with their first post reunion album, Brave New World, Maiden has tended to write longer material that takes time to absorb. I've been busy with work and other things and so haven't yet gotten a proper feel for the album in its entirety.

A couple of songs grabbed me right out of the gate, however, among them "Darkest Hour." This is the latest entry in their various odes to World War II ("Aces High," "The Longest Day," etc.), and is a powerful, heartfelt ode to Winston Churchill and his refusal to accede to his critics and bend the knee to the Nazi war machine:

To blaze in glory like a dying sun
One last burning giant till Jupiter moves on
Turn the ploughshares into swords
You sons of Albion awake defend this sacred land