Sword-and-sorcery news and goings-on

Some recent news and items of interest that readers might find interesting.

My Q&A with Bard author Keith Taylor has been posted in two parts on the DMR website. If you're at all interested in his life, early writing career, collaboration with Andy Offutt, health, and current plans and writings, and much more besides, I recommend checking them out. Keith was super generous with his time composing these wonderful answers. Part one is here, and part two here.

The dudes over at the Cromcast released their final episode of season 13, covering Karl Edward Wagner's Bloodstone, and gave some good coverage to my DMR essay on the (possible) influence of The Lord of the Rings on that book. This is why I write these essays--not for the fortune and fame, but in the hopes that people will read them, interact with them, maybe leave thinking a little differently about their favorite works and authors.

I sent an essay over to Bill Ward at Tales from the Magician's Skull asking and attempting to answer the question, "Is Jack Vance's The Dying Earth Sword-and-Sorcery?", in 1,000 words. Not easy. That I believe will be published in June.

My buddy Wayne hung up my beloved Miller Lite sign in my new basement office/bar/man cave last night. And with that final flourish, it's done, man, and I'm pretty darned happy with the finished project. I'll post some pictures here soon. I describe it as a mullet--business in front (work station and desk) party in the back (bar and bookshelves featuring much S&S and other books).

Queensryche, "Take Hold of the Flame," Live in Tokyo 1984

Time to gush for a moment.

Geoff Tate circa 1983-88 was a vocal god on earth. Extraordinary range, power, expression. Soaring octaves that leave you speechless, wondering how a human voice can produce this sound. I have yet to see his peer in this window of time.

Here is arguably his greatest live performance, Queensryche ripping the roof off some dome in Tokyo in 1984. Move over Godzilla. If you haven't yet seen "Take Hold of the Flame," I envy your first experience. It's nuts.

Queensryche fell from its lofty perch, hard, after the smashing commercial success of Empire. But I choose to remember them here, when they were at their best, circa The Warning, Rage for Order, and Operation Mindcrime.

Bran Mak Morn: Your favorite cover?

I'm currently on a Bran Mak Morn kick, having read Karl Edward Wagner's Legion from the Shadows (good, not great) and now am going back to the original REH stories themselves.

What is your favorite cover? I'm partial to the Dell Bran Mak Morn--a dark, brooding Frazetta painting, with savage Picts looking very much like a prehistoric race bridging the Hyborian Age and our own ancient world. I prefer it over the Gianni and Jeff Jones covers, but your mileage may vary.

Awesome art by uncredited Doug Beekman

Flame and Crimson nominated by the Robert E. Howard Foundation

This was a heck of a surprise.

Flame and Crimson has been placed on the final ballot for the 2021 Robert E. Howard Foundation awards. You can find a complete list of the 2020 and 2021 nominees at the link above, which I can't resist sharing because it's probably the one time I'll ever get mentioned on Locus. Here is the initial announcement on the REH Foundation website.

I have been twice nominated for awards by the foundation, both times for print essays. These included "The Unnatural City" (from The Cimmerian, Vol. 5 No. 2), in 2009, and for "Unmasking 'The Shadow Kingdom': Kull and Howard as Outsiders" (from REH: Two-Gun Raconteur #14) in 2011. This time I've been nominated for The Atlantean — Outstanding Achievement, Book (non-anthology/collection). Per foundation rules, books nominated for the Atlantean may be print or digital, must be a minimum of 50,000 words, and must be substantively devoted to the life and/or work of REH. Reprinted works without significant revisions are not eligible.

I'm up against some stiff competition as Charles Hoffman & Marc Cerasini are legends in Howard studies, as is Fred Blosser, and their books are more purely aimed at Howard scholarship, as opposed to the broader S&S genre. But anyone who has read Flame and Crimson will note the substantial amount of attention rendered to Howard and the case the book makes for his place in S&S, fantasy in general, and as a writer of consequence.

Let's hope the third time is a charm.

The deadline for ballots is Sunday, May 16, at 11:59 pm CDT. I am a member of the REH Foundation (supporting member) and I haven't quite figured out how voting works. If you are a member, let me know how this is done, as there are several other worthy nominees on the ballot for whom I'd love to cast my vote. And I see the late Steve Tompkins has made his way into the nominees for the Black Circle Award for lifetime achievement. That's a pretty darned good group he's a part of, and Steve absolutely deserves to join that elite inner circle someday.

Some more S&S thoughts on the way; Keith Taylor news

Recently I've completed a couple of essays that will be published, both as early as tomorrow, by Dave Ritzlin over at DMR Books and Bill Ward at Tales from the Magician's Skull. "Myth manifesting in the present: Robert E. Howard’s “Marchers of Valhalla”* was a semi-spontaneous eruption of sheer joy to see Howard making myth, very much in the vein of J.R.R. Tolkien, with this wonderful, lesser-known story that Dave recently reprinted in Renegade Swords 2. Anything with Vikings in it gets my attention, and when you combine REH at his wild, poetic best with mythic Aesir I'm all in.

The piece for Tales from the Magician's Skull, "Under the spell of Keith Taylor's Bard Songs"* was likewise inspired by two new-to-me stories from Keith Taylor from Renegades Swords 2 (these stories were first printed in the revival of Weird Tales back in 1988). Since then, I was able to obtain Keith's email address and wrote to him, and he's generously and at length been answering a series of 10 questions I posed to him about his early influences, writing career, and current health and upcoming plans. Great stuff from Keith which I hope to publish in some form or fashion.

(*Bonus points to those who spot the Blind Guardian references in both essays; they're pretty obvious).

Satsuma covers Ratt's "Lay it Down" and Judas Priest's "Hellion/Electric Eye"

At many points in my life I've debated picking up the guitar. I've always thought it would be awesome to be able to bust out a six string and entertain guests on the beach, or plug in and replicate some of the favorite riffs of my youth. Wouldn't that be cool?

Then reality smacks me upside the head. Specifically, the effort, and hours, it would take.

One of my friends brews beer. He spends hours, a couple weeks, to make a halfway decent batch. I've tried many; they're pretty good, though not great.

"Don't do it unless you love the process, man," he tells me.

"Why?" I ask.

"Because you can drive down to the local liquor store and buy something 3x better than you or I could make."

He's right of course.

The same words of wisdom apply to the guitar. I think about the amount of effort, and practice, hours upon hours, it would take to even muddle through a song. Is it worth it? Maybe? And then I think of this Japanese dude Satsuma, who exposes me to the futility of that dream. Look at this damn cover of Ratt's "Lay It Down." I'm in awe. This dude RIPS. So badass.

Check out his rendition of "Hellion/Electric Eye." I'm in awe of this guitar god. Stick around for the solo.

I can't even imagine the amount of practice that went into this.

So yeah, on second thought, I'll stick to watching Youtube, and dreaming of being a guitar god.

A wall of S&S

I'm currently in the final stages of a basement office/bar renovation that will yield me a retreat worthy of the Gods. This lengthy project, which left me without ready access to any of my books, is finally wrapping up, allowing me to spend some time unboxing and reshelving my small arsenal of S&S and other titles.

I decided to devote one bookcase entirely to sword-and-sorcery. Or mostly. There's a few odd books of mythology mixed in here, some Tarzan and sword-and-planet, old swashblucklers and historical fiction, etc., but mainly it's a wall of S&S coming right at you. Click on the photo to zoom in and revel in its greatness, if you enjoy such things (I know I do).

Behold the wall! Fear the wall, mortal dog!